Cher – Heart Of Stone (Album Review)

Few artists have such a storied career as Cher and while her output has been received with varied levels of acclaim, her staying power ensured that Heart Of Stone was a monumental success; one that is easily amongst the greatest albums released in 1989.

As her nineteenth studio album, Heart Of Stone stands as a career-defining moment and is, arguably, her greatest musical achievement. As versatile as Cher is, however, the song selection is incomparable for there isn’t a B-side to be found. Featuring music that blends rock and pop, a healthy dose of 80s-era styles, and songs written by a who’s who of the music industry, Heart Of Stone is a quintessential album experience that combines these cues with Cher’s vocal distinctiveness.

Speaking of contributors, from both the songwriting and production perspectives, when you have the likes of Michael Bolton, Desmond Child, Diane Warren, Jon Bon Jovi, and Richie Sambora all contributing, magic was bound to follow. Naturally, with so many different influences, the album’s fluidity could have become disjointed, but Cher’s vocal control ensures that the album and chosen songs are nothing short of exceptional. Her deep, resonant voice is perfectly suited to the rock and ballad genres and she brings a unique blend of power and emotion to each track, ensuring that all songs have a lasting impact and a contemporary sound that remains relevant to modern listeners.

While the songs, and album as a whole, are largely timeless, the mastering of the record is beginning to show its age. Granted, Heart Of Stone has all the 80s cues you could ask for when considering this album from a perspective of nostalgia, but it really needs a remaster; that is unless you have tone controls on your modern music playback system. Yes, dear reader, Heart Of Stone has a flat transfer, an aspect that was somewhat common in an era when just about every music playback system had some sort of equaliser built in. In the modern era, however, DSP (Digital Signal Processing) drives how we hear the music we love. While it doesn’t require the fiddling that was associated with legacy setups, and is sometimes unmodifiable by the end user, it isn’t nearly as flexible, and subsequently as subjective, as tone control settings once were. All that is to say that as much as I adore Heart Of Stone, it needs a boost in the mid to low-end range of the audio spectrum to really come alive.

Of course, if you’d like to hear how an album of the late 80s sounds sans a remaster, then the lossless Apple Music stream provides a great example. To some, we may have come a long way. To others, we may have gone backwards as the loudness wars and inefficient hardware have forever changed how music is mastered and delivered. What is undeniable, however, is how exceptional this classic album is, so join me as I take a look at the songs that make up this legendary release.

If I Could Turn Back Time is a quintessential 80s power ballad that has become Cher’s trademark tune. Written by Diane Warren, the song features a catchy chorus and memorable melody. While laced with 80s pop-rock stylings, If I Could Turn Back Time remains relevant in the modern era as Cher's commanding vocal performance, combined with the song's polished production, makes it an enduring pop-rock anthem.

Just Like Jesse James is a lovely mid-tempo number that highlights Cher’s unique vocal style; a performance that’s both powerful and nuanced.

You Wouldn't Know Love was also recorded by Michael Bolton for his 1989 album, Soul Provider. As solid as Cher’s rendition is, however, it doesn’t compare to Bolton’s recording; especially when the composition of the two is identical and the core difference is down to the lead vocals. That said, had Bolton not recorded the tune he penned with Diane Warren, Cher’s would be exceptional as it blends her gritty passionate vocals with a touch of rock intensity.

Heart Of Stone is a beautiful ballad-styled tune that stands out as one of the best songs from the album and is, subsequently, the ideal title track as Cher’s deep emotive vocals, and the accompanying backing vocal element, are sensational to listen to. As a cover of the Bucks Fizz original recording, Heart Of Stone most certainly suits Cher’s vocal style and complements the original recording; a thoroughly enjoyable rendition of Andy Hill and Pete Sinfield’s penned classic.

Still In Love With You has a killer melody and the 80s written all over it. That’s a good thing, in case you were wondering, as songs like Still In Love With You remain timeless.

Love On A Rooftop is a hidden gem for Cher’s vocals are vibrant and engaging, perfectly capturing the song's sense of excitement and spontaneity.

Emotional Fire is a high-energy rocker with a powerful chorus and dynamic instrumentation. Cher's performance is fiery and intense, but it is Bonnie Tyler and Michael Bolton’s backing vocals that set this track on fire, along with the driving rhythm and strong guitar presence.

All Because Of You is a magnificent ballad featuring heartfelt lyrics and a strong melody. As is the case throughout the entire album, Cher's vocals are rich and expressive but on songs such as All Because Of You, they come alive with a level of sincerity that adds to the warm and inviting sound of the record.

Does Anybody Really Fall In Love Anymore? is one of the best songs from the album and one of the greatest songs Cher ever recorded. Co-written by Jon Bon Jovi and Richie Sambora, along with Diane Warren and Desmond Child, it has Bon Jovi’s style written all over it, but the lush production ensures that Cher’s vocal performance of this hidden gem is spectacular. This is, however, one song that I feel would benefit most from a remaster for as good as the current edition is, I wouldn’t mind betting that there’s an additional level of oomph that’s present on the original master recording.

Starting Over isn’t a standout, per se, but it’s a lovely tune that ensures the album experience remains cohesive and fluid. When the chorus enters the mix, the song picks up as Cher’s vocals are both strong and uplifting, thereby allowing the song’s intent of creating a sense of hope and renewal to shine through.

Kiss To Kiss slows the tempo a little as this captivatingly seductive mid-tempo number highlights Cher’s sultry vocal delivery.

After All (Love Theme From "Chances Are”) is a duet with Peter Cetera and it’s absolutely magnificent. Cher's and Cetera's voices blend beautifully, delivering a poignant and memorable performance that will see you contemplating the music you’ve just heard, while also feeling compelled to listen to the album again.

Cher’s career can be defined in numerous ways, but it’s fair to say that as it pertains to her musical endeavours, Heart Of Stone is a career highlight; one that showcases her adaptability and enduring talent. Its mix of rock anthems and heartfelt ballads showcases Cher at her very best, supported by stellar production and songwriting. Yes, a remaster would be appreciated, but whether you're a long-time fan or new to her music, Heart Of Stone offers a compelling listening experience that captures the essence of both Cher and the era.

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Belinda Carlisle – Runaway Horses (Album Review)

Released in 1989, Runaway Horses represents a pivotal moment in Belinda Carlisle’s career as despite it being her third solo studio release, and her being most notably associated as a co-founder and lead vocalist of The Go-Go’s, Runaway Horses can be viewed as her magnum opus. Yet, it wasn’t as successful as her preceding solo studio release, Heaven On Earth; a solid album but one that is slightly inferior to the fluidity offered with Runaway Horses. Popularity aside, Runaway Horses cemented Carlisle’s place in the pop-rock pantheon of the late 80s for it is all killer with no filler.

With an eclectic mix of upbeat pop anthems and introspective ballads, Runaway Horses is a compelling showcase of Carlisle's vocal prowess and artistic evolution. That said, it’s important to correctly credit the creative individuals behind the music we love for as talented as Carlisle is, she only co-wrote a single song (Shades Of Michaelangelo) with the core songwriting across the record being done by Rick Nowels and Ellen Shipley. Nowels and Shipley were also responsible for Carlisle’s hit single Heaven Is A Place On Earth from Heaven On Earth. While some purists may be perturbed by the following statement, it is nevertheless true that Carlisle’s success, as a solo artist, can be attributed to the incredible songwriting of Nowels and Shipley. The amalgamation of their songs and Carlisle’s exceptional vocal delivery created a lasting impact on both Carlisle’s career and the era’s musical landscape.

Speaking of Nowels, he also produced the record, ensuring that each track was meticulously crafted. The album also has just about every 80s cue you can imagine for its lush, multi-layered, soundscapes will not only deliver longtime fans a healthy dose of nostalgia, but will transport them, and any modern music lover back to what could be considered a simpler era where singles, live performances on television, interviews in magazines, and albums reigned supreme. Unlike the modern era, the excitement for a new release was palpable and an event in and of itself. Whether or not you lived through the 80s, one thing is for certain, Runaway Horses is reflective of the era, with a focus on a rich and immersive listening experience.

Of course, once the singing, songwriting, and production values have been considered, one has to turn their attention to the musicians. While the highly talented Nowels contributes throughout on guitar and keyboards, you also have industry legends such as Kenny Aronoff, Bryan Adams, and George Harrison, amongst others, contributing to the album’s sound. Yes, dear reader, it's that George Harrison; the one from The Beatles. Granted, Carlisle was already well-established by this time, but to have a legend such as Harrison play on your record must have been an incredible honour.

As it pertains to the listening of the album, while I’ve never been fortunate to have owned this release, the lossless Apple Music stream is derived from the 2013 remastered edition and is a sonically admirable release. It isn’t, however, representative of the very best sonic reproduction, for the low end is a little anaemic, thereby slightly reducing the bombastic presentation often featured in pop music from the late 80s. That said, if you’re not a fan of bass, you’ll probably appreciate the chosen mastering and there’s nothing wrong with tweaking the EQ levels, on occasion, to boost the low end of the spectrum. As our subjective tastes differ, I implore you to give the stream a listen, as you read through my thoughts on the songs themselves, but if you’re like me you may feel the mastering is a little too reserved.

Leave A Light On is an infectious upbeat track with a catchy melody and vibrant arrangement that will draw you in from the very first note. Carlisle's vocals are both powerful and polished, perfectly complementing the song’s energetic rhythm, ensuring that Leave A Light On is the quintessential opening track. It also features George Harrison’s masterful slide guitar that adds additional depth to the tune and matches the song’s musical style perfectly. Leave A Light On is, subsequently, one of the greatest songs ever recorded.

Runaway Horses slows the tempo slightly, but this title track, with its mid-tempo beat and lush arrangement, creates a rich sonic landscape that is highly compelling. Again, as will also be the case throughout the entire album, Carlisle’s vocal control is capable of conveying deep and emotional narratives for those of you who are interested in lyrical intent. Even if, like me, you prefer to appreciate the human vocal as an instrumental element within the mix, rather than a storytelling device, Carlisle’s pronunciation is so incredible that you’ll find yourself captivated.

Vision Of You is a magnificent ballad with sweeping melodies that highlight Carlisle’s vocal prowess and when you listen to her quivering pitch, you can’t help but be reminded that this was recorded before the introduction of autotune; an example of just how exceptional a vocalist Carlisle is.

Summer Rain is a testament to Carlisle's ability to tell a compelling story through her music, thereby making it one of the album's most enduring songs. The arrangement builds beautifully throughout, but her chosen vocal pitch is what truly makes the song shine, for the lower range in the verses, and the higher octaves throughout the chorus, make Summer Rain a textbook example of how to vocally deliver an exceptional song.

La Luna adds a touch of mysticism and variety to the album with its Latin-inspired rhythms and atmospheric production. The song’s exotic feel is enhanced by Carlisle’s sultry vocal performance and the instrumental elements featuring flamenco-style guitars and percussion that create a lush and immersive soundstage.

(We Want) The Same Thing picks up the pace with a driving beat and a rebellious spirit. This energetic song is a quintessential late-80s pop-rock anthem; particularly regarding the song’s powerful chorus. Carlisle's dynamic vocal performance, coupled with the song’s infectious energy, make it a standout track that exemplifies the album’s overall upbeat and optimistic vibe.

Deep Deep Ocean is a hidden gem for those not familiar with the record. It’s also one of those songs that is guaranteed to create a mondegreen in your mind as you’ll likely hear the lyrics Deep Deep Ocean as Deep Devotion. Intentional, or not, I love it as it creates a deeply immersive and emotionally resonant listening experience.

Valentine is another magnificent highlight from the album; one that could be classed as a hidden gem. While Valentine wasn’t released as a single, even though it could have done exceptionally well on the charts during the era, it’s album-only tracks such as this that make Runaway Horses an exceptional album experience from start to finish.

Whatever It Takes has a solid pop-rock arrangement and engaging melody. It’s another of Carlisle’s exceptional album-only tunes and what’s most intriguing is the mixing decision for the vocals are laid beautifully atop the instrumental bed, but Bryan Adams’ backing vocals are so recessed that unless you check the liner notes, you’d likely miss his inclusion as his trademark vocal cues are a little too subdued in the mix. That said, his backing vocal is meant to be complementary to Carlisle’s lead vocal and, therefore, doesn’t detract. As a result, it could be argued that it’s a perfect mix.

Shades Of Michaelangelo features a dramatic build-up and expansive sound, with Carlisle’s vocals soaring over the grand arrangement. As the closing track, the Shades Of Michaelangelo brings the album to a powerful and satisfying conclusion. Whether or not you listen to the album again, or simply reflect on the music you’ve just heard, there is little doubt as to why Runaway Horses is such an exceptional record as it’s arguably perfect from start to finish.

Runaway Horses is, subsequently, a quintessential late-80s pop-rock album that showcases Carlisle at her artistic peak. With its memorable melodies, emotive vocals, and polished production, it remains a standout in her discography and offers fans and newcomers alike, a rewarding listening experience.

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Linda Ronstadt – Prisoner In Disguise (Album Review)

Released in 1975, Linda Ronstadt’s Prisoner In Disguise stands as a testament to her unparalleled vocal prowess and eclectic musical range. Building upon the success of her previous albums, Ronstadt continued to explore various genres, from country rock to folk-pop, with remarkable depth and authenticity.

In addition to her exceptional vocal talent, Ronstadt's impeccable taste in song selection also deserves praise for each song matches her artistic style and vision. There’s little wonder as to why Prisoner In Disguise was a success and has had a long-lasting appeal to music lovers of just about all genres. The production is similarly impeccable with Peter Asher in the production chair, Val Garay engineering the record, and Doug Sax undertaking the mastering. The combined talent of these individuals, and the musicians, in conjunction with Ronstadt, ensures that this is a timeless album that will appeal to humanity for decades to come.

More than that, however, the cover art design does a phenomenal job of capturing this music lover’s attention and, there’s no doubt that the striking cover art would have stood out in any record store, the world over, upon release. Unfortunately, this seminal release is long out of print on vinyl with the last reissue being in 2008 with the Mobile Fidelity Sound Lab release. Digital formats have faired a little better with various CD reissues, being released up to 2014. Since then, however, one is expected to source the album from digital download stores or music streaming services. The version I have access to is the Hi-Res Lossless Apple Music stream, an Apple Digital Master, and it is sublime. While I can’t comment about the sonic quality in relation to any other edition, when music sounds this good I decide to leave well enough alone and simply enjoy the album. That all said, if you have the time, join me as I take a look at the songs that make up this exceptional release.

Love Is A Rose opens the album with a lively and infectious energy. Ronstadt's vocals soar above a catchy melody, delivering lyrics that speak to the complexities of love. The song features a country-rock vibe with prominent acoustic guitar and driving rhythms, setting the stage for the eclectic mix of musical styles to come. Written by Neil Young, his rendition is enjoyable but Ronstadt’s interpretation, with a bolder country twang and a slight increase in tempo, suits the song far better than Young’s original does.

Hey Mister, That's Me Up On The Jukebox is a cover of James Taylor's song that showcases Ronstadt's ability to infuse her unique style into a folk-pop classic. The stripped-down arrangement puts the focus squarely on Ronstadt's emotive vocals and poignant storytelling and it’s the mix that impresses me most as the layered musicality is nothing short of magical. Taylor’s original is magnificent, but Ronstadt has recorded an incredible rendition and made it her own.

Roll Um Easy is a standout tune with a laid-back groove and soulful vibe. Ronstadt's sultry vocals glide effortlessly over the smooth instrumentation, creating a mesmerising sonic landscape that will draw you in from the very first note to the last.

Tracks Of My Tears is an idealistic soulful interpretation of Smokey Robinson And The Miracles' classic tune. Ronstadt’s emotive vocals are front and centre, conveying the heartache and longing expressed in the lyrics with raw intensity. The lush orchestration adds depth and texture to the song, elevating it to timeless status. Whether or not you’re a fan of the original, one thing is for certain, Ronstadt recorded this song beautifully and in the process, made it a classic.

Prisoner In Disguise is a hauntingly beautiful ballad that showcases Ronstadt's vulnerability as a vocalist. The poignant lyrics, combined with Ronstadt's expressive delivery, create a sense of emotional resonance that lingers long after the song ends. J. D. Souther’s vocal harmonies are a perfect addition to the mix, one that ensures the lush arrangement adds to the song's atmospheric quality.

Heat Wave is a high-energy cover of the Martha Reeves & The Vandellas classic. Ronstadt's powerhouse vocals, along with the infectious rhythm and catchy melody make it impossible to resist for Ronstadt's electrifying performance injects new life into this timeless hit. Yes, the original is spectacular, but as with most of the songs Ronstadt covered, she performed them so well that they rival, and in this case, surpass the original.

Many Rivers To Cross is one of countless covers of this Jimmy Cliff classic, but keeping with a stripped-down arrangement allows Ronstadt's emotive vocals to take centre stage, conveying the song's themes of perseverance and resilience with raw intensity. It really is one of the best covers I’ve ever heard of this classic tune and given the number of renowned artists that have performed this number, that’s saying something.

The Sweetest Gift is a beautiful tune that features Emmylou Harris. The combination of these two powerhouse vocalists imbue the song with a sense of warmth and sincerity, thereby making it a standout moment on the album.

You Tell Me That I'm Falling Down masterfully combines elements of folk and soft rock, with Ronstadt's emotive vocals soaring over a lush backdrop of acoustic guitar and subtle percussion. The introspective lyrics and haunting melody create a further sense of melancholy that will resonate with listeners on a deeper level.

I Will Always Love You is a beautiful cover of this Dolly Parton classic. Naturally, however, Whitney Houston’s rendition will forever be the go-to edition for that interpretation bests both this and Parton’s original. Nevertheless, I Will Always Love You is such a magnificent tune that there is always room for more and Ronstadt certainly doesn’t disappoint as the arrangement puts the focus squarely on her emotive delivery, allowing the beauty of the song's melody and lyrics to shine through.

Silver Blue closes the album on a high note that will encourage you to spin the record again. Ronstadt's powerful vocals and impeccable phrasing perfectly complement the musical bed thereby making this an album-only tune that will stay with you well after the album has ended.

Throughout Prisoner In Disguise, Ronstadt effortlessly transitions between musical styles, seamlessly blending elements of rock, folk, and country into a cohesive and compelling sound. Whether she's belting out rock anthems or delivering heartfelt ballads, Ronstadt’s dynamic vocal range shines brightly, captivating listeners with each note. With its enchanting melodies, soul-stirring lyrics, and impeccable performances, this album continues to captivate audiences decades after its release, solidifying Ronstadt's status as one of the greatest vocalists of her generation.

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Bee Gees – Main Course (Album Review)

Released in 1975, Main Course marks a significant turning point in The Bee Gees' career; one that would also contribute to major shifts within the music industry during the following years. Departing somewhat from their signature harmonious ballads and melodic pop, Main Course ventures into the realm of disco, a genre that would soon catapult the brothers Gibb to even greater international stardom than they had already experienced. Funk, rhythm and blues elements are also present throughout, but it was the Bee Gees’ musical skill that permitted a merging of the genres into a coherent sound that was not only startling at the time, but long-lasting and thoroughly appreciated by music lovers to this very day. 

There’s no doubt that the shift in style would have had its detractors but part of an artist’s journey should be an evolution, for few are successful in recording the same type of music over and over again. The stylistic shift would also revitalise their career, following a few less-than-stellar releases in the prior years. Whether or not you embrace the disco-infused sounds of the Bee Gees, one thing is for certain, they embraced the new sound that was not only fresh but also timely, aligning with the disco fever that was sweeping the globe during the mid-70s.

Naturally, Main Course boasts several iconic hits that were perfectly aligned with the zeitgeist upon release, but songs such as Jive Talkin’, Nights On Broadway, and Fanny (Be Tender with My Love) remain as fresh today as when they were released. While there may never be another band, or artist, quite like the Bee Gees, their music lives on for generations of music lovers to enjoy as they make their way to the dance floor. 

While a focus is most certainly on the disco vibe, to say that Main Course is solely a disco album would be disingenuous for the melodies and harmonies still exist with a touch of funk, soul, and pop. Main Course is, really, quite a diverse record. 

Aside from the music itself, part of the album’s appeal is due to its slick and polished production values. Working with the legendary producer, Arif Mardin (who also produced their 1974 release, Mr. Natural), the Bee Gees were helped in elevating their music to new heights and that included a greater focus on Barry Gibb’s falsetto vocal. Of course, with such a producer behind the scenes, and the Bee Gees already well-established by this time, the result is a sonic wonderland that is best heard firsthand as words are insufficient to describe the musicality that will be emitted from your speakers. 

The high production qualities thankfully make their presence felt on the CD-quality stream and while Main Course isn’t presented as an Apple Digital Master, the record is delivered nicely with an enveloping sound stage, clarity between elements, and a boogie rhythm that will get you moving. Is it perfect? Well, that aspect is truly subjective, but I wouldn’t reject a respectfully remastered edition with a little boost to the low and mid-range aspects of the sonic spectrum. Of course, adjusting one’s EQ settings can bring it into line with expectations but what I can say is that if this is the only master available to music lovers, then we’re incredibly fortunate for it's quite lovely. 

Nights On Broadway opens with a funky bassline and pulsating rhythm that’s a masterful accompaniment for Barry’s falsetto and Maurice and Robin’s vocal harmonies. It’s a magnificent tune that is not only an ideal opener but harks back to the mid-70s and the emerging musical styles of the era.

Jive Talkin’ is, arguably, the most iconic track from the album as this disco anthem showcased the Bee Gees' transition into the genre. With its infectious groove and catchy guitar riff, there’s little doubt as to why Jive Talkin’ became an instant hit.

Wind Of Change is best described as lush. The musicality, the vocals, and every aspect have a succulent appeal that immediately grabs your attention. While Wind Of Change was never released as a single, the catchiness of the song had the potential to be a minor hit had it been released. It, subsequently, is a hidden gem and is deserving of more recognition than it has received. 

Songbird is a departure from the disco sound that dominates the album. Instead, we’re met with an absolutely beautiful tender ballad that is saturated with raw emotion and sincerity. It really is one of the greatest vocal-focused performances the Bee Gees ever recorded and is another song that is severely underrated. 

Fanny (Be Tender With My Love) returns the album to its more upbeat groove and while it has all the hallmarks of a disco tune, it’s the melding of rhythm and blues, with a touch of soul, that ensures this song remains memorable with it’s catchy melody and infectious rhythm. 

All This Making Love would traditionally have opened side two of the vinyl release and while it makes perfect sense in that format, as there’s a longer pause between songs when flipping sides, it can present a slight jolt to the senses in the modern era. On its own it’s magnificent but in the flow of a digital album, be it streaming or CD, the funky, upbeat tempo rhythm that exudes energy and swagger is too much of a sonic shift to ignore and the subsequent brilliance of this song can be lost as a result.

Country Lanes offers listeners a sonic respite filled with a folk-inspired melody and evocative lyrics that make for an ideal reflective ballad. The song's gentle instrumentation and lush harmonies create a sense of intimacy and nostalgia, transporting listeners to a simpler time and place.

Come On Over continues the ballad-inspired style with a touch of country influence. It’s the quintessential album-only tune and while not filler, it’s unlikely that you’ll seek it out on its own.

Edge Of The Universe is a fantastic atmospheric number that works masterfully with the song's hypnotic rhythm and swirling synthesisers. It’s a hidden gem, certainly, and if it doesn’t connect with you immediately, may I suggest you listen to the song a couple of times as unpacking this multi-layered recording will allow you to fully explore the magnificence of the song.  

Baby As You Turn Away closes the album on a high note with a ballad style that has a haunting melody accompanying the emotive lyrics. It’s masterful and is the perfect album closer; one that permits reflection whilst simultaneously encouraging you to play the record again.  

No matter which way you look at it, Main Course is a landmark release that showcased the Bee Gees during one of their most creative periods. With its irresistible grooves, magnificent vocals, and captivating lyrics, Main Course remains a classic album and is a testament to the enduring legacy of one of the world's most iconic groups.

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Art Garfunkel – Breakaway (Album Review)

Released in 1975, Breakaway, Art Garfunkel’s second solo release, showcases the artist's remarkable vocal prowess, emotive storytelling, and timeless appeal. While fans may have been hoping that a resolution would once again see the legendary duo of Simon & Garfunkel record and release another album, that wasn’t to be, but Breakaway does include the Simon & Garfunkel duet; My Little Town. That duet aside, we are blessed to have Breakaway; an album that can be best described as a classic record. 

While music lovers will declare that the music is the most important aspect, by the mid-70s, albums were primarily released on the vinyl format and Breakaway’s cover art would have looked exceptional, and would have stood out from the crowd, in any record store. It’s album covers such as this that make me wonder how many people would have purchased the record based on the artwork alone, without knowing or having heard the music at all. Nevertheless, the imagery is spectacular and there likely isn’t a straight man alive who wouldn’t have wanted to be vicariously ensconced between actresses Helena Kallianiotes and Laurie Bird. Unfortunately, by the time 1979 rolled around, Bird had taken her own life but her spirit continues to live on via Breakaway’s artwork. 

As it pertains to the sonic qualities of the release, the CD-quality lossless Apple Music stream is exquisite. While I don’t have access to another edition of this classic album, I can’t imagine seeking one out for the stream is more than anyone could expect as the soundstage is wide and enveloping and every musical element is perfectly positioned within the mix. Flawless, is one way to describe it, yet one can’t help but wonder how the album would sound quadraphonically. 

When released in 1975, quadraphonic vinyl and 8-track releases were issued alongside the stereo edition. While the quadraphonic mix was out-of-print for decades, a Hybrid Multichannel SACD was reissued in 2018 by Vocalion (under license from Sony Music Entertainment UK Limited) and was extremely well received by quadraphonic music aficionados. Due to the numerous glowing reviews, I wish that Sony Music would issue the quadraphonic mix to Apple Music for the streaming service supports Dolby Audio which can deliver up to 5.1 channel mixes. An Atmos mix need not apply, especially when the existing quadraphonic mix is already so well respected. 

While I understand that Sony Music may wish to hold onto certain editions, for a variety of reasons, I’m the type of music lover who would like to see the most compelling versions of an album released everywhere so that everyone can enjoy it. While the SACD release is not overly priced and is still available, not every fan will have access to an SACD player; particularly one that is capable of multichannel playback. Apple Music, however, has the potential to allow many more people to listen to, and enjoy, these multichannel mixes; even if in a semi-psuedio playback environment for those without extensive surround sound systems. 

As previously mentioned, the lossless CD-quality stream is thoroughly enjoyable and it is the music, after all, that is the most important aspect, not the delivery format. With that in mind, join me as we take a look at the songs that make up this incredible release. 

I Believe (When I Fall In Love It Will Be Forever) is a magnificent cover of Stevie Wonder’s original from his 1972 release Talking Book. As pleasurable as Wonder’s recording is, however, it pales in comparison to the masterpiece that Garfunkel has recorded. It isn’t just in the chosen vocal styling, but in the musicality, as Garfunkel’s interpretation is bolder, smoother, and more uplifting than the original. It’s a perfect opener that sets the tone for the music that is to follow. 

Rag Doll is a beautiful tune that’s perfectly suited to Garfunkel as it showcases his ability to infuse music with emotion and sincerity. Rag Doll is, subsequently, a timeless, and somewhat hidden, gem. 

Break Away is a stunning upbeat ballad that is worthy of being the album’s title track. The inclusion of David Crosby and Graham Nash, on backing vocals, particularly on this recording, enhances the song and creates a captivating atmosphere to go along with the pleasing musical backdrop. 

Disney Girls, a Beach Boys cover, is stunning! The original, however, is quite the song in its own right. It’s so good that, at times, I prefer the original. Let’s just say that it’s a killer tune and both The Beach Boys and Garfunkel performed it masterfully. 

Waters Of March is one of those songs that you’ve most likely heard on numerous occasions for it has a long legacy and many artists have recorded it. While it’s a perfectly adequate song for the album, and I wouldn’t like to see Breakaway sans Waters Of March, I’m not entirely convinced that it was worthy of Garfunkel, or that his interpretation added anything new to this classic tune. I, therefore, have a love/hate relationship with the song for it flows well within the album’s context, but it isn’t a song that I would seek out on its own. 

My Little Town, a collaboration with Paul Simon, was also released on Simon’s 1975 studio release; Still Crazy After All These Years. While we can lament the cessation of the duos’ collaboration, My Little Town is a lovely tune that harks back to a beloved era. No, it isn’t the strongest song that Simon & Garfunkel ever recorded, nor is it a standout, but it’s lovely nonetheless.  

I Only Have Eyes For You is another well-known tune for this soppy love song has been recorded and aired ad nauseam. Still, Garfunkel’s interpretation is lovely as his vocal control is utterly perfect and the lush, but tepid, orchestration provides a dreamy atmosphere that not only perfectly suits the song but also captures the essence of love and devotion.

Looking For The Right One is a Stephen Bishop composition that Bishop would later record beautifully and release on his 1978 studio album Bish. As for Garfunkel’s original recording, it too is stunning and is another example whereby either version can be thoroughly appreciated.

99 Miles From L.A. is a cover of Albert Hammond’s recording; also released in 1975. Hammond’s is a lovely interpretation, but it isn’t quite as fulfilling as Garfunkel’s rendition. Garfunkel’s musical bed is a little more recessed while his vocals were recorded with an ethereal echo. The result is a thoroughly more pleasing musical experience. 

The Same Old Tears On A New Background closes the album with a reflective ballad that continues to showcase Garfunkel’s emotive vocals. Add to that the beautiful instrumental backing and the amalgamation creates a poignant conclusion to the album's emotional journey; one which will encourage you to play the record again.

Breakaway, subsequently, stands as a timeless masterpiece showcasing Art Garfunkel's exceptional musical talent. With its captivating melodies, heartfelt lyrics, and impeccable craftsmanship, Breakaway continues to resonate with audiences decades after its initial release, solidifying Garfunkel's legacy as one of the preeminent voices in the history of recorded music.

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ABBA – ABBA (Self-Titled) [Album Review]

ABBA’s self-titled studio album, their third, is a landmark release that distanced itself from the somewhat whimsically juvenile B-sides that littered Ring Ring and Waterloo. No, ABBA isn’t a serious album, by any stretch of the imagination, but where it separates itself from its predecessors is, in part, due to the higher production values and synergy between not only the songwriting team of Benny Andersson, Bjorn Ulvaeus, and Stig Anderson, but with the core ABBA members themselves. While ABBA is most certainly a standout release amongst their formative years, it remains one of their very best, and most underrated, albums and is also amongst the best records released in 1975.

While I always focus on the album experience, first and foremost, this eponymous release gave music lovers seven riveting singles, some of which have become staples in ABBA’s extensive back catalogue. Songs such as Mamma Mia, SOS, and I Do, I Do, I Do, I Do, I Do showcase the band’s ability to craft infectious pop and disco melodies that would not only solidify their status as one of the most influential acts of the 20th century but would ultimately make them timeless.

As already alluded to, the production qualities increased significantly upon this release but as longtime fans will note, not all editions of the album are created equally. It’s all in the mastering and it was unfortunate that I purchased one of the most brittle vinyl editions; the 2011 Back To Black (POLS 262) vinyl re-issue. The lossless Apple Music edition, an Apple Digital Master, is leaps and bounds ahead of that 2011 vinyl reissue as it has a far greater sense of space and clarity.

The ABBA fan within, however, couldn’t let one edition forever tarnish this great album. As such, when the ABBA – The Studio Albums box set was reissued in 2020, I couldn’t pass up the opportunity to dump all previous Back To Black reissues and give this one a shot. Impressed, by the entire box set, would be an understatement. It’s the very definition of perfect and while your subjective preference may differ from mine, I consider the box set, and the version of ABBA, to be the final word in sonic quality as it’s flawless.

Of course, I can’t take the record everywhere with me, so for that purpose, the lossless Apple Music stream remains a highly respectable digital counterpart that is every bit as pleasurable as the 2020 vinyl reissue. Yes, the vinyl reissue is blessed with the renowned warmth of the format, but the Apple Music stream suffers from no digital glare and has the same smooth and dynamic presentation as its counterpart, so it’s likely to appeal to most music lovers.

As you head into the breakdown of the songs that make up this incredible release, it’s important to note that only the core songs, from the album’s original release, are featured below. This is because I’m a purist at heart and while I’m aware of the bonus tracks that have been made available via subsequent digital reissues, I much prefer listening to the album in its original linear structure. Thankfully, the additional tracks can be heard at any time via the Bonus Track Version, but for some reason, the Deluxe Edition is no longer available on Apple Music. Nevertheless, sit back, relax, and let’s take a look at the songs that make up this landmark release.

Mamma Mia is a perfect album opener. Iconic and catchy, this lively tune perfectly encapsulates ABBA’s signature sound. It also helps that it’s got an infectious melody and irresistible chorus, for you’ll find yourself captivated from the very first note to the last.

Hey, Hey Helen is a little quirky when compared to Mamma Mia, but it works with its spirited tempo and vocal delivery. It can, however, get a little monotonous throughout the chorus, but as a fan of ABBA’s rock-focused tunes, I can live with that aspect, in part, because the riff is simply incredible.

Tropical Loveland shifts the tone of the album and adds a touch of reggae. This isn’t up to Bob Marley & The Wailers' standards, but it’s a solid tune and further showcases ABBA’s diverse musical arrangements. Plus, it does give you a sense of being transported to a sun-soaked paradise, thereby making it memorable, relaxful, and thoroughly enjoyable.

SOS is what I call a disco ballad for its combination of haunting melody, heartfelt lyrics, and emotional depth are regularly associated with ballad-styled music. Yet, add in the uptempo musical elements and you’ve got the disco component. Either way, and no matter how you choose to enjoy SOS, one thing is for certain; ABBA doesn’t get much better than this!

Man In The Middle is a dynamic and energetic track with impeccable harmonies and infectious rhythms that are ideally suited to the era. The song's catchy chorus and driving beat make it a standout track on the album and is, arguably, one of ABBA’s best, lesser-known, tracks.

Bang-A-Boomerang is a joyous and infectious tune that harks back to ABBA's origins. With its catchy melody and playful lyrics, Bang-A-Boomerang is guaranteed to put a smile on your face as you dance along to the irresistible rhythm. Perhaps the only negative aspect of the song is that there’s a little too much distortion present and it comes across as a demo, rather than a complete tune. It isn’t a dealbreaker, but it’s one song that can be jarring on the senses if you have too much treble dialled into your stereo.

I Do, I Do, I Do, I Do, I Do is a jubilant number with an upbeat tempo and infectious chorus. The song's catchy hooks and spirited vocals make it a standout and while it may not be everyone’s favourite, I’ve no doubt most would agree that the alto saxophone tracking that Ulf Andersson laid down is simply exquisite.

Rock Me is dynamic and electrifying. With its driving beat and energetic vocals, this song is guaranteed to get you on your feet, dancing along to the infectious rhythm.

Intermezzo No.1 is a captivating instrumental masterpiece that highlights ABBA's talent for crafting lush and evocative music. With its sweeping melodies and intricate arrangements, this song is a testament to the band's creative vision.

I’ve Been Waiting For You is one of Agnetha’s most beautiful vocal performances and is another song that showcases the emotional depth and musical sophistication ABBA brought to their music via this album.

So Long isn’t the strongest closing tune, particularly after I’ve Been Waiting For You, as it feels out of place within the flow of the album. Where it could have been placed instead, I’ve no idea. It’s a low point but, one thing is certain, it will leave you with a spirited and upbeat feeling that will compel you to listen to the album again.

Overall, ABBA's self-titled album is a minor masterpiece that showcases the band's unparalleled talent and musical innovation. Their skills in both increased production quality and songwriting are notable, resulting in infectious melodies, heartfelt lyrics, and dynamic performances that are timeless and are a must-have for any music lover's collection.

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The Jacksons – The Jacksons (Self-Titled) [Album Review]

Released in 1976, The Jacksons’ self-titled release marked a significant turning point in the musical journey of the iconic Jackson family. Formerly known as the Jackson 5, the group changed their name to The Jacksons after leaving Motown Records in search of greater creative freedom. This self-titled album not only showcased the group's evolution but also hinted at the individual talents of each Jackson sibling. 

Speaking of The Jacksons’ evolution, they would embrace a more mature and sophisticated musical style, incorporating elements of funk, disco, and soul. Helping them on this journey was the esteemed American songwriting and production team of Kenneth Gamble and Leon Huff whose main focus, meticulous arrangements, and polished sound demonstrated their commitment to excellence and The Jacksons’ evolving musical style.

Of course, all the production and songwriting prowess would be for nil had The Jacksons not been incredibly talented and while their music immediately resonates with your soul, the impressive vocal capabilities of each sibling are to be celebrated. Michael's lead vocals, as always, are charismatic and soulful, while the harmonies and additional lead vocals, shared by Marlon, Tito, Jackie, and Randy demonstrate the group's tight-knit musicality. It’s also imperative to note that The Jacksons was the first album to include their own material, as they were not given such creative freedoms while being signed to Motown. The songs to look out for are Blues Away (Michael Jackson’s very first published song) and Style Of Life; both exceptional and world-class musical achievements.

While I had been fortunate to have owned the 2018 vinyl reissue, I recently needed to sell a portion of my collection and this reissue was sadly one of those that I had to say goodbye to. Nevertheless, I look forward to the day when I can repurchase it because the pressing was simply magnificent. One may, therefore, assume that the lossless Apple Music stream is a letdown but it is anything but as the Apple Digital Master is exquisite. 

Right or wrong, and frustrating nonetheless, The Jacksons’ back catalogue was remastered and expanded in 2021 but was only ever released to digital platforms. Given that remasters can be hit or miss, the lack of a physical release may not be an issue for those of you who are fortunate to own previous releases, but in this instance, the Jacksons’ back catalogue has never sounded so good, on any digital format, as it does via the stream. For those interested in the fine details, no specific information has been issued regarding the remastering process of the albums, but all you need to do is load up your preferred streaming platform and give them a listen for I dare say you’ll be pleasantly surprised with not only the smoothness of the reproduction, but the detail and fullness across the entire soundstage that will immerse you in this classic recording.

Enjoy Yourself, The Jacksons first single following their departure from Motown, rocketed to the top of the charts with Michael and Jackie sharing lead vocals on this disco-funk tune. It’s a great opening song with an infectious energy that ultimately sets the tone for the album; particularly the upbeat numbers. 

Think Happy is a feel-good track with an optimistic and uplifting message; one that we should all appreciate from time to time in our modern complex, and not always happy, lives. That said, if you're not in a contented mood, it can be an incredibly annoying tune. Nevertheless, as I write this my mood is high so I have a smile from ear to ear and I genuinely hope you do as well for it’s a solid album-only tune from The Jacksons. 

Good Times slows the tempo down for this dynamically arranged vocal-focused number. It’s a beautiful song and while it’s most certainly cemented in the 70s, with that musical arrangement, it doesn’t sound as dated as it could have and I put that down to the incredible vocal performance by Michael and the harmonious perfection of his brothers. 

Keep On Dancing is a high-energy, danceable track that maintains the album's disco and funk influences. The repetitive and catchy chorus, coupled with a driving beat, reinforces the message of letting go and enjoying the moment while Michael's spirited vocals add an extra layer of excitement to the song. Keep On Dancing really should have been released as a single and it’s a shame that it has never received the recognition it deserved, for it’s an incredible tune that sounds as fresh today as it would have when the album was released.

Blues Away slows the tempo of the album with this soulful ballad. The vocal processing is interesting in that you’d think it would get fatiguing, but the mix is done so well, and the vocal distortion is only applied minimally, meaning that it is an enhancement rather than a distractive element. Of course, this was recorded well before autotune and Michael certainly didn’t need such a gimmick. That said, I’d love to know how they achieved the vibrating aspect on his vocal mix as it’s a key reason why Blues Away is one of my all-time favourite songs by The Jacksons. 

Show You The Way To Go is a sophisticated, elegant, and subsequently smooth ballad. The silky-smooth vocals, lush arrangement, and polished production elevate the song to timeless status even though it sounds of the era.

Living Together is a mid-tempo R&B tune with a killer groove and a social message conveying the importance of togetherness. It’s a great song and as with the majority of songs from the album, The Jacksons’ harmonies are what take this song to the next level. 

Strength Of One Man is a solid album-only tune that is thoroughly enjoyable with the brothers sharing lead vocal duties. Granted, Strength Of One Man sounds quite dated, but sometimes that is exactly what the soul expects and being set in the era from which it came is not the worst thing in the world. 

Dreamer is perhaps even more cemented in the 70s than Strength Of One Man, but it’s such a lovely song that I generally don’t reflect on that aspect. Michael’s vocal takes centre stage and the emotive lyrics, combined with a subdued arrangement, create a poignant atmosphere that is not only perfect for the song but works incredibly well for The Jacksons’ style.  

Style Of Life is a great mid-tempo closer that blends soul and R&B elements. The smooth vocals atop a laid-back groove contribute to the song’s depth and appeal, thereby making it ideal for contemplation once the album ends whilst simultaneously encouraging the playing of the record again. That all said, I do feel that the song ends somewhat prematurely. 

The Jacksons is a testament to the enduring talent of the Jackson family. It successfully captures the essence of the 70s music scene while showcasing the group's ability to evolve and adapt. With its memorable tracks and polished production, the album remains a crucial chapter in the musical legacy of The Jacksons and is amongst their greatest releases.

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