Quarterflash's self-titled debut album, released in 1981, stands as a shining example of the vibrant music landscape of the early 80s. With a distinct blend of rock and pop, this album captures the essence of the era while simultaneously showcasing the band's unique style.
While 80s music fans would likely be familiar with Quarterflash, for it’s one of the very best albums released in 1981, you’d be forgiven if you have overlooked it, or never heard it before, as it’s disappointingly been out of print, certainly outside of the Japanese music market, for decades. As a result, we must be content with digital editions via streaming options or digital download stores. While the lossless Apple Music stream isn't an Apple Digital Master, it’s a beautiful master, nonetheless, that’s very dynamic with a lively and spacious soundstage. Yes, a remaster, done respectfully, would be appreciated but at this stage, I would welcome a CD or vinyl re-issue with the original mastering.
Aside from having the music circulate on a physical format once again, the artwork is exquisite and, in my mind at least, deserves to be seen on the larger vinyl canvas. Universal Music Group should consider releasing a reissue of this classic album as modern collectors would love such a release. Even a small print run, perhaps a Record Store Day exclusive, would be well received.
Harden My Heart is the quintessential 80s power ballad; what a way to open this self-titled debut! With its hauntingly catchy melody and introspective lyrics, Harden My Heart creates an unforgettable atmosphere that sets the tone for the rest of the album.
While it should be celebrated that Harden My Heart received renewed attention following its inclusion on the Rock Of Ages soundtrack in 2012, the Julianne Hough and Mary J. Blige version is an atrocity. It's a shame considering both of these musicians are consummate performers in their own right.
Find Another Fool continues the energetic momentum with an upbeat tempo that makes it a worthy follow-up to the opening track. Rindy Ross' powerful vocal delivery is, as always, evocative of the greatest female vocalists to sing rock music. Plus, it isn’t just her vocal prowess that’s impressive, for she’s an incredible saxophonist. Additionally, the musical style of Find Another Fool reminds me fondly of Kansas’ work on Monolith.
Critical Times slows the tempo considerably, but it isn’t as much of a jolt to the senses as you may initially think as the emotive vocals and reflective lyrics are stunning. I should note that one of my all-time favourite vocalists, Timothy B. Schmit sings as part of the backing vocal harmony and is simply amazing. Could Critical Times have been recorded by the Eagles? Absolutely, but it wasn't and is, subsequently, one of the core reasons why I adore Quarterflash and consider it such an extraordinary album.
Valerie picks up the tempo and while it has an infectious groove with a killer bassline and guitar solo, it’s not my favourite song from the album as the chorus is underwhelming and grinds on the senses due to its pitch.
Try To Make It True is musical bliss. That introduction and the song’s overall vibe ensure Try To Make It True is one of the best tunes on the album.
Right Kind Of Love is a great lovely ballad with a catchy chorus and dynamic instrumentation that will see you singing along while simultaneously toe-tapping and head-bopping to the rhythm. Rindy's saxophone work, with the intertwining of Marv Ross’ guitar solo, is a standout and is the ultimate sonic trademark of Quarterflash.
Cruisin' With The Deuce is a musical masterpiece. It reminds me fondly of the musical style heard on Quincy Jones’ The Dude, for it has a similar funk meets jazz meets rock styling. Ultimately, Cruisin' With The Deuce is the complete package and if you only listen to one song from this self-titled debut, make it this one. It’s, honestly, amazing that Quarterflash was never more popular than they were for when music is this good, it deserves to be heard and shared.
Love Should Be So Kind slows the album down considerably, but the reflective nature of the song showcases Quarterflash's lyrical depth and ability to craft poignant melodies. Love Should Be So Kind was never destined to be a hit, but it’s one of the best songs Quarterflash ever recorded, thereby making it an essential album-only tune.
Williams Avenue closes the album on a high note and while it’s a jazzy shift from the otherwise mellow Love Should Be So Kind, the rock-infused sound, driving rhythms, and passionate vocals provide a more than satisfying conclusion to the Quarterflash musical journey; one that will find you compelled to play the album time and time again.
Quarterflash's self-titled debut album is somewhat of a hidden gem from the early 80s, and one of the best albums released in 1981, capturing the essence of the era's musical diversity. While Harden My Heart remains the standout hit, the album as a whole offers a well-rounded collection of classic songs that are so well-polished that it makes this album sound like a well-put-together greatest hits release.