Released in 1974, On The Border was the Eagles’ third studio album and marked a pivotal moment for the Eagles, transitioning from their country roots to a more rock-oriented sound. While it wasn’t a complete departure and reinvention of themselves, On The Border has a delicate balance of styles that take influence from their first two records whilst simultaneously evolving the Eagles’ signature sound. Add to that the introduction of guitarist Don Felder, whose arrival gave the band a new level of energy, and you’ve got an album that is representative of the best of both worlds; the before and after, if you will.
Perhaps most interesting, however, is that On The Border is my least-played Eagles album. I honestly can’t tell you why as each time I spin the record, I’m blown away with not only the song selection but the entire recording, mix, and mastering. Yes, there are songs that I don’t feel are necessarily perfect on their own, but when combined On The Border is most certainly an album experience from start to finish.
It isn’t a lack of sonic reproduction either, that determines the lack of playback, for it sounds just as good as any other Eagles’ release, regardless of whether or not you listen to the Hi-Res Lossless Apple Music stream, an Apple Digital Master, or in my case the 2014 vinyl reissue that I’m fortunate to own.
While vinyl collectors would love to hear that the 2014 reissue offers a lovely facsimile to the original release, thinking that would likely yield a little disappointment. Yes, the reproduction is respectable. However, in this instance, the album artwork is reissued on a smooth canvas rather than the rough texture of the original releases. It’s a minor thing, granted, but one that fans and collectors care about. At least, as you can see from the photos, the foldout poster is included, so all is not lost. Frustratingly, had I attained the 2014 US reissue, that version has the textured cover art. Yes, dear reader, you read that correctly. The same edition released for the US market, in 2014, was different to the UK release. Sometimes it’s incredibly annoying to be a music collector for small variances such as this make no sense at all.
Of course, you’re probably more interested in how the 2014 reissue sounds. Well, Eagles’ albums are generally pristine with regard to their sonic quality and while this vinyl reissue isn’t bad, the Apple Music stream is smoother and fuller with a more analogue sound that is more laid back in its delivery. It’s ironic, I know, given that it’s almost certain that the vinyl re-issue was sourced from a digital master as well. That said, this isn’t the first time an Apple Digital Master has left me impressed and made me question the purpose of my beloved record collection. Hence, for those who disregard digital offerings without ever actually comparing them, all I can say is you’re missing out for it isn’t always the case but digital has come a long way over the years and is considerably more affordable than vinyl reissues; particularly in the modern era.
To give you a little more context, the song My Man loses the bass and drum emphasis on the vinyl reissue when compared to the Apple Music stream, yet Ol’ 55 sounds a little better on the vinyl reissue. It really is a bit of a mixed bag and while I generally don’t give numeric ratings for sonic quality, I’d place the vinyl reissue as a 3 out of 5 and the Apple Music stream as a 4.5 out of 5. If I could get the Apple Digital Master on vinyl, I’d be one happy fan. And, yes, I acknowledge the ludicrous nature of that statement.
Perhaps the best way to explain what I’m hearing is that I find myself distracted when listening to the vinyl reissue. If my phone is nearby, I’ll reach for it. Yet, I’ll happily sit and listen to the stream, on repeat, for hours on end. Subsequently, my advice would be that if you’re considering picking up a vinyl reissue, give the stream a listen first and consider what advantages a vinyl edition would offer you.
Already Gone is a solid opener with an addictive rhythm and twang, although it isn’t the strongest song on the album. Not only do I feel it launches the record on an abrupt note, but I find the woo-hoo-hoo vocal elements to be distracting. Yes, the guitar work throughout is a redeemable quality, and overall it is far from the worst song that the Eagles ever recorded, but it’s most certainly an album-only number that contributes to the solidity of this classic record.
You Never Cry Like A Lover slows the tempo down and is a masterful tune. The soundstage depth and air surrounding each musical element is an experience in and of itself as it will surround you in a captivating sonic presentation. The accompanying guitar solo reminds me fondly of America's style, but it’s the delicate vocal harmonies that are layered with typical Eagles’ precision that truly sets this tune apart as being one of the greatest songs the Eagles ever recorded.
Midnight Flyer would have been perfect for Desperado but isn’t necessarily out of place on On The Border. Full of bluegrass and authentic Americana influence, the lively banjo, infectious rhythm, and vocal delivery ensure that this fun tune is memorable and balances out the ballads and heavier rock elements heard throughout the album.
My Man is a beautiful vocal-focused ballad. It’s one of the best songs from On The Border, despite never receiving the recognition it deserved.
On The Border has a killer rock intro that I adore. The tempo shifts a little when Don Henley’s vocal comes into the mix, but as the song progressively builds it becomes an incredible blues-based rock and roller with a touch of funk that makes this a standout and an ideal title track.
James Dean as a song on its own isn’t fundamentally flawed, but I’ve never felt that it was suited to the Eagles or On The Border. Yes, it's energetic and fun and could be seen as a precursor to Glenn Frey’s 80s output, but it also sounds as if it belonged on a 50s-era release; by another band or artist.
Ol’ 55 is a stunning cover of Tom Waits' original. Turn the volume up, close your eyes, and sing along if that brings you joy for Ol’ 55 is one of the best songs the Eagles ever recorded. The gentle musical bed and steel guitar enhance the melancholic feel, and the harmonies soar in a way only the Eagles can deliver.
Is It True is another song that has never received the accolades it deserved, for its catchy melody, jangly guitars, and easygoing rhythm make it one of the lighter, more pop-oriented tracks on the album. Randy Meisner’s lead vocals are particularly notable for they add to the song’s overall charm and blend ideally with the Eagles’ mid-70s sound.
Good Day In Hell is one of the Eagles’ greatest rockers with gritty guitar work, incredible vocals, and the addition of Felder’s exceptional slide guitar, resulting in a timeless and exceptional tune.
The Best Of My Love closes the album with one of the Eagles’ most beloved ballads; a masterpiece by any metric. The vocal harmonies are pristine, and the acoustic arrangement is warm and lush, creating a soothing, reflective atmosphere. The bottom line is that this classic tune is an ideal closer for it encourages reflection whilst simultaneously compelling the music lover to play the record again.
On The Border stands as one of the finest achievements in the Eagles' catalogue and is one of the standout albums from 1974. The album expertly blends their signature country-rock sound with a more assertive rock edge, creating a dynamic and cohesive collection of songs. Its balance of heartfelt ballads, upbeat anthems, and introspective storytelling, elevates it above many other releases of the time and remains one of the most iconic albums of the 70s.
